Aurelia Guo is a writer and researcher based in London. She is a Lecturer in Law at Goldsmiths, University of London.
In World of Interiors I use collage and appropriation to destabilise the first-person ‘I’. I also write directly about the inescapable condition of being perceived and positioned by other people. Our lives take place in time and space, meaning in history and geography, as well as in relation to one another – not just interpersonally, but intergenerationally, with all the baggage of race, class, gender and nation that this implies. I write about economic cycles of wealth and poverty at the levels of the individual, group and state. The book is about travel and immigration: migrants, tourists and refugees. It is about the work of survival and the cost of survival. It is also a hopeful book – about how strong and indomitable the will can be.
Aurelia Guo is a writer and researcher based in London. She is a Lecturer in Law at Goldsmiths, University of London.
Tracing the borders between essay and poem, quotation and the fragment, Aurelia Guo’s writing circles and contradicts narratives of power. Her close readings of contested histories, abject biographies and her own experiences of migration and displacement transfix and unsettle. This book is mesmerising.
An uncategorisable writer … intimate, impersonal, visionary and pitiless.
At once evocative and subtly incisive Howe’s writing seems almost like a new language, a language that has been in hiding. She can make the familiar haunting and the ordinary a provocation. She has written some of the remarkable books of her time.
A wonder of acid wit and Americana, Holy Smoke turns grief into a game and chaos into canticles. Bricolage at its best: incisive, inventive and intimate. It’s the exact work I needed in my life.
Why they said, “Your real name is Anon,” I'll never know . . . But now that I have a name, I know I must write . . . I’m scared, but feel it is time to be really bad.
Republished for the first time since its 1979 release, in a new revised edition, Holy Smoke is an account of the frenzy and paranoia of United States politics refracted through one individual’s psyche. With her theme of a child disappeared – and all that that phrase carries with it – Howe captures the chaos of reality in her salient mix of poetry and prose. Readers will find it hard to believe that this book, which gives fresh sense to the demand for universal human rights, was written in the last century.
Illustrated by Colleen McCallion
Fanny Howe was born on 15 October 1940 in Buffalo, New York. She was professor emerita in literature at the University of California, San Diego, and the author of more than fifty books of poetry and prose. Howe taught literature and writing throughout her life and mentored a generation of American poets, activists and scholars working at the intersection of experimental and metaphysical thinking. She died on 8 July 2025 in Lincoln, Massachusetts.
Howe prefers the clarity of misunderstanding to the blur of certainty.
Poet of unsettled dreams.
Reading her fiction feels something like facing a patch of wilderness—startling, beautiful, yet terrifyingly mysterious.