Divided Publishing

Wave of Blood

£ 11.99
£ 11.99

Wave of BloodAriana Reines

£ 11.99

Wave of Blood

Ariana Reines

Is it the computerization of the planet
Or a loosening of my fidelity to suffering
I don’t understand the intensity
I’ve hidden here but I know I despaired
Of finding a physical place to keep
My tears. Now what. Seas that go turquoise
When you stop looking at them . . .


Wrestling with the mind of war, at times shocking in its self-analysis, Wave of Blood is a furious and sincere essay, an eclipse notebook, a family chronicle, all told in the poetry of witness.

  • 978-1-7395161-4-7
  • 21.6 x 13.9 cm
  • 200 pp.
  • Paperback
  • October 2024

About the author

Ariana Reines is a poet, playwright, and performing artist from Salem, Massachusetts and based in New York. Her books include A Sand Book—winner of the 2020 Kingsley Tuftfts Award and longlisted for the National Book Award—Mercury, Coeur de Lion, and The Cow, which won the Alberta Prize from Fence in 2006. Her Obie-winning play Telephone was commissioned by the Foundry Theatre with a sold-out run at the Cherry Lane Theatre in 2009. Reines has created performances for the Solomon R. Guggenheim Museum, the Swiss Institute, Stuart Shave/Modern Art, Le Mouvement Biel/Bienne, the Whitney Museum of American Art, and Performance Space New York. She has taught poetry at UC Berkeley (Holloway Poet), Columbia, NYU, and Scripps College (Mary Routt Chair), been a visiting critic at Yale School of Art, and for community organizations including the Poetry Project and Poets House. Her poetry and prose have been published in The New Yorker, Poetry, Artforum, Frieze, Harper’s, and many others. In 2020, while a Divinity student at Harvard, Reines created Invisible College, an online space devoted to the study of poetry, sacred texts, and the arts.

Photo: Collier Schorr

Endorsements (5)

Brave. Brilliant. Bold. A wave and a wail of a book.

Raymond Antrobus

Ariana Reines is a go-for-broke artist who honors her traditions by being like no one else. Some of us have made a fetish of our stupidity, pretending to forget history, and some of us have made a fetish of despair, congratulating ourselves on melancholia, but Ariana is too brilliant and too alive for either of those sad luxuries . . . I am convinced of the authenticity of the summonses she receives and the summonses she issues and when I read her I am reminded that all of this is a calling before it’s an identity or career. Her voice—which is always more than hers alone—is a dialectic between the very ancient and the bleeding edge.

Ben Lerner

Her writing is queer and raunchy, raw and occult, seemingly never pulling away from her deepest vulnerabilities. Yet Reines simultaneously maintains a feeling of epic poetry, of ancient intention. She moves between worlds in search of the divine and the self.

The New York Times

These are the kinds of poems that reorient you in the world, make you understand how little you know, but how much is inside you.

NYLON

Mind-blowing.

Kim Gordon

Press (15)

Dust BunniesChristina Catherine MartinezClównicas20/02/2025
Dance Dance RevolutionAriana ReinesBookforum, Winter 20252602/2025
Wave of Blood excerptsAriana ReinesPioneer Works Broadcast06/02/2025
Our Current BestsellersSelected by the BookshopLondon Review Bookshop10/02/2025
25 Books to Check Out for 2025Brittany MenjivarHard Copy01/2025
Ariana Reines' Wave of BloodSam ChaAntiphony, 501/2025
A Conversation with Ariana ReinesSam ChaAntiphony, 501/2025
Ariana Reines’s “Wave of Blood”Kate WolfLARB Radio Hour27/12/2024
A Year in Reading: Emily WittEmily WittThe Millions12/12/2024
Ariana ReinesCasual EncounterszOn The Rag12/12/2024
Poet Ariana Reines Isn’t Afraid of Saying the Wrong ThingJuliette JeffersInterview Magazine21/10/2024
Three Poems from Wave of BloodAriana ReinesCluny Journal15/10/2024

Darryl

£ 11.99
Buy in Europe UK
£ 11.99
Buy in Europe UK

DarrylJackie Ess

£ 11.99

Darryl

Jackie Ess

Underneath the sharp satire and hilarious sexual irreverence this is a deadly serious book: a brilliant novel of a seeker, like The Pilgrim’s Progress refracted by queer internet culture.

Torrey Peters

Darryl Cook is a cuckold, and that’s exactly how he likes it. He has an inheritance that spares him from work, a manageable and seemingly consequence-free drug habit, and a lovely wife called Mindy who’s generally game for anything—and for as much of it as she can get. But after an accidental overdose and some serious oversharing, Darryl’s world begins to crack up. Tormented by what seems to be the secret truth in sex, and less assured of that secret’s form, Darryl steps into what used to be called real life . . . Darryl is a disarmingly funny and unabashedly intelligent look at a community of people parsing masculinity, marriage, sex (and love) on their own terms.

  • 978-1-7395161-7-8
  • 21.6 x 13.9 cm
  • 200 pp.
  • Paperback
  • February 2025

Endorsements (5)

Darryl crashes through the pieties of inclusive literature like a horny aurochs through an Apple Store. Jackie Ess’s vicious wit and humane soul refuse to settle for anything less than an enhanced interrogation of human frailty, here through the psychosexual evisceration of an ordinary, relatable guy who simply wants someone else to bang his wife. Who doesn’t? This book takes the raw power of the sentence seriously, which is the best way to be funny: Darryl is sprinting ahead of the reader, mooning, with knowledge they crave, and we must try our hardest to catch up. I was already breathless by page ten, my gut torn in half by horrified glee. I stayed awake all night reading and couldn’t work the next day. Jackie Ess is the best. Cuck rights!

Harry Josephine Giles

One of the best novels on the planet.

Kay Gabriel

Ess is what I might call a burgeoning cult literary figure, armed with an unmistakable lyric deadpan and a taste for provocative subject matter.

Stephen Ira, Poetry Project

What Darryl is looking for is a crisis of sufficient severity that it will cause him to feel real to himself.

Dominic Fox, Review 31

Jackie Ess’s debut novel is a smart, unexpected and extremely funny take on marriage, masculinity and desire, written from the perspective of a loser extraordinaire.

Lucy Scholes, Prospect

Rights

  • North America (Clash)