Divided Publishing

Wave of Blood

£ 11.99
£ 11.99

Wave of BloodAriana Reines

£ 11.99

Wave of Blood

Ariana Reines

Is it the computerization of the planet
Or a loosening of my fidelity to suffering
I don’t understand the intensity
I’ve hidden here but I know I despaired
Of finding a physical place to keep
My tears. Now what. Seas that go turquoise
When you stop looking at them . . .


Wrestling with the mind of war, at times shocking in its self-analysis, Wave of Blood is a furious and sincere essay, an eclipse notebook, a family chronicle, all told in the poetry of witness.

  • 978-1-7395161-4-7
  • 21.6 x 13.9 cm
  • 200 pp.
  • Paperback
  • October 2024

About the author

Ariana Reines is a poet, playwright, and performing artist from Salem, Massachusetts and based in New York. Her books include A Sand Book—winner of the 2020 Kingsley Tuftfts Award and longlisted for the National Book Award—Mercury, Coeur de Lion, and The Cow, which won the Alberta Prize from Fence in 2006. Her Obie-winning play Telephone was commissioned by the Foundry Theatre with a sold-out run at the Cherry Lane Theatre in 2009. Reines has created performances for the Solomon R. Guggenheim Museum, the Swiss Institute, Stuart Shave/Modern Art, Le Mouvement Biel/Bienne, the Whitney Museum of American Art, and Performance Space New York. She has taught poetry at UC Berkeley (Holloway Poet), Columbia, NYU, and Scripps College (Mary Routt Chair), been a visiting critic at Yale School of Art, and for community organizations including the Poetry Project and Poets House. Her poetry and prose have been published in The New Yorker, Poetry, Artforum, Frieze, Harper’s, and many others. In 2020, while a Divinity student at Harvard, Reines created Invisible College, an online space devoted to the study of poetry, sacred texts, and the arts.

Photo: Collier Schorr

Endorsements (5)

Brave. Brilliant. Bold. A wave and a wail of a book.

Raymond Antrobus

Ariana Reines is a go-for-broke artist who honors her traditions by being like no one else. Some of us have made a fetish of our stupidity, pretending to forget history, and some of us have made a fetish of despair, congratulating ourselves on melancholia, but Ariana is too brilliant and too alive for either of those sad luxuries . . . I am convinced of the authenticity of the summonses she receives and the summonses she issues and when I read her I am reminded that all of this is a calling before it’s an identity or career. Her voice—which is always more than hers alone—is a dialectic between the very ancient and the bleeding edge.

Ben Lerner

Her writing is queer and raunchy, raw and occult, seemingly never pulling away from her deepest vulnerabilities. Yet Reines simultaneously maintains a feeling of epic poetry, of ancient intention. She moves between worlds in search of the divine and the self.

The New York Times

These are the kinds of poems that reorient you in the world, make you understand how little you know, but how much is inside you.

NYLON

Mind-blowing.

Kim Gordon

Press (21)

In the Grief House of Ariana ReinesBruce HainleySpike Art Magazine23/05/2025
Review: Wave of Blood by Ariana ReinesKen BaumannZona Motel22/05/2025
Ariana Reines's Wave of BloodBlake ButlerDividual30/04/2025
Who by FireAudrey WollenBookforum, Spring 202504/2025
Heroines of Nothing at AllHannah BonnerPoetry Foundation14/04/2025
Writing and Mutating with Ariana ReinesArcadia MolinasWorms24/02/2025
Dust BunniesChristina Catherine MartinezClównicas20/02/2025
Dance Dance RevolutionAriana ReinesBookforum, Winter 20252602/2025
Wave of Blood excerptsAriana ReinesPioneer Works Broadcast06/02/2025
Our Current BestsellersSelected by the BookshopLondon Review Bookshop10/02/2025
25 Books to Check Out for 2025Brittany MenjivarHard Copy01/2025
Ariana Reines' Wave of BloodSam ChaAntiphony, 501/2025
A Conversation with Ariana ReinesSam ChaAntiphony, 501/2025
Ariana Reines’s “Wave of Blood”Kate WolfLARB Radio Hour27/12/2024
A Year in Reading: Emily WittEmily WittThe Millions12/12/2024
Ariana ReinesCasual EncounterszOn The Rag12/12/2024
Poet Ariana Reines Isn’t Afraid of Saying the Wrong ThingJuliette JeffersInterview Magazine21/10/2024
Three Poems from Wave of BloodAriana ReinesCluny Journal15/10/2024

Rights

  • Danish (Kronstork)

Upcoming (1)

18 July New York Ariana Reines at Poets House

Dominique: The Case of an Adolescent

£ 13.99
Pre order in Europe UK US
£ 13.99
Pre order in Europe UK US

Dominique: The Case of an AdolescentFrançoise Doltotrans. Ivan Kats, revised by Lionel and Sharmini Bailly

£ 13.99

Dominique: The Case of an Adolescent

Françoise Dolto

trans. Ivan Kats, revised by Lionel and Sharmini Bailly

Dolto’s Dominique is the only case I’ve found that rivals Freud, and brings us up to date, replete with questions of incestuous trauma, repressed sexualities, autism and cognitive disability, and a profound sense for the contradictions of polite society and histories of colonial and racist violence. I love this child and encountering Dolto’s otherworldly voice as an analyst.

Jamieson Webster

While the child psychoanalyst Françoise Dolto stands alongside Jacques Lacan as a leading light of the Other French School, she has been little translated and remains curiously unknown in the English-speaking world. First published in 1971, Dominique: The Case of an Adolescent is frank and close to the clinical experience. A masterpiece of the genre, it is at once a granular psychological portrait of a troubled adolescent and his familial inheritance, and a historical case study of French society in the 1960s.

Foreword by Michael Ryzner-Basiewicz.

  • 978-1-7395161-9-2
  • 13 b&w illustrations
  • 21.6 x 13.9  cm
  • 264 pp.
  • Paperback
  • July 2025

About the author

Françoise Dolto (born 6 November 1908, Paris) was a psychoanalyst and paediatrician. Alongside private practice at her home, where she saw adults and children, Dolto practised in four institutions where she saw only children patients: the Polyclinique Ney, the Centre Claude Bernard, the Hôpital Trousseau and the Centre Etienne Marcel. From 1967 to 1969, Dolto answered adult and child listeners of the French radio station Europe No. 1, live and anonymously under the name ‘Docteur X’. The programme enjoyed excellent ratings, but Dolto found dialogue to be hindered by the demands of live broadcasting and advertising. In 1976, she agreed to return to radio with Lorsque l’enfant paraît on France Inter, on the condition that she replied to listeners’ letters, which enabled her to go into depth. The programme was a huge success, and would make her a household name. In 1978 Dolto retired as an adult psychoanalyst: her fame had become such that it distorted the therapeutic relationship with patients. She now devoted herself to prevention, training of young analysts, group and individual supervision, publications, conferences and radio and television broadcasts. She also continued her work with children in the care of the Aide Sociale à l’Enfance, some of whom she received at her home until the end of her life. In 1979, along with a small team, she founded the Maison Verte, a place for early-years socialisation welcoming children from ages zero to four along with their caregivers, for sessions of play and talk. This model spread throughout France and Europe, to Russia, Armenia and Latin America. Dolto is the author of more than a dozen books, and several essays, interviews and seminars. In English, her books have been translated as Psychoanalysis and Pediatrics (Routeledge, 2013) and The Unconscious Body Image (Routledge, 2022). Françoise Dolto died on 25 August 1988 in Paris.

Photo: Alécio de Andrade

About the translators (3)

Ivan Kats (1926–2008), naturalised American, worked as a translator, editor, teacher, publisher and journalist in France and the United States. He graduated with an MA from Yale University, New Haven, in 1969. In 1970 he founded the Obor Foundation, dedicated to the publication and dissemination of books to book-poor countries, which he directed until his retirement in 1996.

Lionel Bailly is a practising psychoanalyst of the Association Lacanienne Internationale, an academic associate of the British Psychoanalytical Society, and a child and adolescent psychiatrist. Trained in medicine and psychiatry at Salpêtrière Hospital in Paris, he is honorary professor at University College London Psychoanalysis Unit where he is particularly involved in the doctoral school. He led the Sainte-Anne Hospital Centre’s biopsychopathology unit before moving to London in 2000. Bailly is the author of two books, one on psychotrauma in children (in French) and Lacan: A Beginner’s Guide (Oneworld, 2009).

Sharmini Bailly is a psychoanalyst (member, British Psychoanalytical Society) and a senior member of the British Psychotherapy Foundation. She translated Françoise Dolto’s The Unconscious Body Image (Routledge 2022) and has edited two books on Lacanian theory. She works in the NHS and in private practice, and teaches and supervises psychodynamic/psychoanalytic practitioners.

Rights

  • French (Seuil)