Divided Publishing

Wave of Blood

£ 11.99
£ 11.99

Wave of BloodAriana Reines

£ 11.99

Wave of Blood

Ariana Reines

Ariana Reines is one of those modern voices who I would be bereft without. She does this heroic work of metabolizing our world for me.

Lorde

Is it the computerization of the planet
Or a loosening of my fidelity to suffering
I don’t understand the intensity
I’ve hidden here but I know I despaired
Of finding a physical place to keep
My tears. Now what. Seas that go turquoise
When you stop looking at them . . .


Wrestling with the mind of war, at times shocking in its self-analysis, Wave of Blood is a furious and sincere essay, an eclipse notebook, a family chronicle, all told in the poetry of witness.

  • 978-1-7395161-4-7
  • 21.6 x 13.9 cm
  • 200 pp.
  • Paperback
  • 21 October 2024

About the author

Ariana Reines is a poet, playwright, and performing artist from Salem, Massachusetts and based in New York. Her books include A Sand Book—winner of the 2020 Kingsley Tuftfts Award and longlisted for the National Book Award—Mercury, Coeur de Lion, and The Cow, which won the Alberta Prize from Fence in 2006. Her Obie-winning play Telephone was commissioned by the Foundry Theatre with a sold-out run at the Cherry Lane Theatre in 2009. Reines has created performances for the Solomon R. Guggenheim Museum, the Swiss Institute, Stuart Shave/Modern Art, Le Mouvement Biel/Bienne, the Whitney Museum of American Art, and Performance Space New York. She has taught poetry at UC Berkeley (Holloway Poet), Columbia, NYU, and Scripps College (Mary Routt Chair), been a visiting critic at Yale School of Art, and for community organizations including the Poetry Project and Poets House. Her poetry and prose have been published in The New Yorker, Poetry, Artforum, Frieze, Harper’s, and many others. In 2020, while a Divinity student at Harvard, Reines created Invisible College, an online space devoted to the study of poetry, sacred texts, and the arts.

Photo: Collier Schorr

Endorsements (5)

Brave. Brilliant. Bold. A wave and a wail of a book.

Raymond Antrobus

Ariana Reines is a go-for-broke artist who honors her traditions by being like no one else. Some of us have made a fetish of our stupidity, pretending to forget history, and some of us have made a fetish of despair, congratulating ourselves on melancholia, but Ariana is too brilliant and too alive for either of those sad luxuries . . . I am convinced of the authenticity of the summonses she receives and the summonses she issues and when I read her I am reminded that all of this is a calling before it’s an identity or career. Her voice—which is always more than hers alone—is a dialectic between the very ancient and the bleeding edge.

Ben Lerner

Her writing is queer and raunchy, raw and occult, seemingly never pulling away from her deepest vulnerabilities. Yet Reines simultaneously maintains a feeling of epic poetry, of ancient intention. She moves between worlds in search of the divine and the self.

The New York Times

These are the kinds of poems that reorient you in the world, make you understand how little you know, but how much is inside you.

NYLON

Mind-blowing.

Kim Gordon

Press (31)

Father and SonEileen Myles and Ariana ReinesPioneer Works Broadcast18/06/2026
Wave of Blood — Ariana ReinesRebecca Salazarc mag16/02/2026
What Lorde Loved This Year in Culture: The books you couldn’t put down?Lorde as told to Rachel HandlerVulture01/12/2025
InterviewOrlando Reade and Ariana ReinesBOMB Magazine06/11/2025
Kristian Vistrup MadsenMood Curriculum Podcast, Episode 2: Ariana Reines07/08/2025
Wave of BloodRobert Eric ShoemakerRain Taxi, Summer 202506/2025
In the Grief House of Ariana ReinesBruce HainleySpike Art Magazine23/05/2025
Review: Wave of Blood by Ariana ReinesKen BaumannZona Motel22/05/2025
Wave of BloodPaul ScottGoodreads.com15/05/2025
Ariana Reines's Wave of BloodBlake ButlerDividual30/04/2025
Who by FireAudrey WollenBookforum, Spring 202504/2025
Heroines of Nothing at AllHannah BonnerPoetry Foundation14/04/2025
Writing and Mutating with Ariana ReinesArcadia MolinasWorms24/02/2025
Dust BunniesChristina Catherine MartinezClównicas20/02/2025
Dance Dance RevolutionAriana ReinesBookforum, Winter 20252602/2025
Wave of Blood excerptsAriana ReinesPioneer Works Broadcast06/02/2025
Our Current BestsellersSelected by the BookshopLondon Review Bookshop10/02/2025
25 Books to Check Out for 2025Brittany MenjivarHard Copy01/2025
Ariana Reines' Wave of BloodSam ChaAntiphony, 501/2025
A Conversation with Ariana ReinesSam ChaAntiphony, 501/2025
Ariana Reines’s “Wave of Blood”Kate WolfLARB Radio Hour27/12/2024
A Year in Reading: Emily WittEmily WittThe Millions12/12/2024
Ariana ReinesCasual EncounterszOn The Rag12/12/2024
Poet Ariana Reines Isn’t Afraid of Saying the Wrong ThingJuliette JeffersInterview Magazine21/10/2024
Three Poems from Wave of BloodAriana ReinesCluny Journal15/10/2024

Rights

  • Danish (Kronstork)
  • Norwegian (H//O//F)

Upcoming (1)

22 –⁠ 23 August Norway Møllebyen Litteraturfestival 2026

Another Sun

£ 11.99
£ 11.99

Another SunFrançoise VergèsMayra A. Rodríguez Castro

£ 11.99

Another Sun

Françoise Vergès Mayra A. Rodríguez Castro

In 2005, Françoise Vergès published a book with Aimé Césaire, in which she recorded – three years before his death – powerful remarks by the poet, as incisive and combative as ever, yet imbued, as always, with the universal humanism to which he had remained committed throughout his life. It is fortunate that, drawing inspiration from this interview, Another Sun allows us to hear, in their intertwining, the voices of Césaire and Vergès herself, conveying a message of emancipation and fraternity/sorority that our world needs to hear today.

Souleymane Bachir Diagne


Waiting at Martinique Aimé Césaire International Airport, in the city of Le Lamentin, Mayra A. Rodríguez Castro browses the airport kiosk. Alongside books by Césaire, it offers titles by Frantz Fanon, Maryse Condé and Patrick Chamoiseau. She picks up a copy of Nègre je suis, nègre je resterai, a conversation between Françoise Vergès and Césaire published in 2005, and embarks. In Another Sun, Rodríguez Castro and Vergès revisit that seminal conversation, resulting in an eclectic text shaped by ongoing struggles.

With poems by Danielle Legros Georges, Wole Soyinka, Ishion Hutchinson, Clarisse Baleja Saïdi, Aimé Césaire and Jean Érian Samson.

  • 978-1-0684395-2-0
  • 21.6 x 13.9 cm
  • 100 pp.
  • Paperback
  • 04 June 2026

About the authors (2)

Françoise Vergès is a writer, decolonial anti-racist feminist and curator. She is currently working on the fabrication of premature death, imperialism and anti-imperialism, the colonial roots of fascism, private property and racism. In parallel, she is working on a film about communist anti-colonial struggles on Réunion and in the Southwest Indian Ocean based on her parents’ personal archives and her own. Her recent publications include: Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism (2024); A Programme of Absolute Disorder: Decolonizing the Museum (2024); A Decolonial Feminism (2021); The Wombs of Women: Race, Capital, Feminism (2020); and Resolutely Black: Conversations with Françoise Vergès, with Aimé Césaire (2019). She has written documentary fifilms on Maryse Condé and Aimé Césaire (both 2013) and was a project advisor for Documenta11 (2002) and La Triennale de Paris (2012). Vergès is currently senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, University College London.

Photo: Bachir Tayachi

Mayra A. Rodríguez Castro is a writer and editor. She was a postdoctoral fellow at Freie Universität Berlin in 2018, recipient of a fellowship with Anne Waldman at Naropa University in 2019, and a textual residency fellow at Akademie Schloss Solitude in 2025. Her essay ‘El nuevo sublime’ was a finalist for the National Essay and Criticism Award in Colombia in 2019. Rodríguez Castro is the editor of Dream of Europe: Selected Seminars and Interviews, 1984–1992 (2020), a collection of previously unpublished lectures by Audre Lorde, which was shortlisted for the Pegasus Award for Poetry Criticism in 2021. She is also the author of The Echo (2025) and Blood (2026).

Photo: Diego Mayorga