Divided Publishing

Stage of Recovery

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£ 10.99
Buy in Europe UK USA Australia E-book

Stage of RecoveryGeorgia Sagri

£ 10.99

Stage of Recovery

Georgia Sagri

I am convinced that Sagri’s thinking in action is ultimately dedicated to the empowerment of the mass corporeality of the nameless, and to self-recovery from psychosomatic pains suffered in this world of hell.

Sabu Kohso

Close to spiritual anarchism, Georgia Sagri’s writing happens in the heat of negotiation. Starting in the months leading up to the occupation of Zuccotti Park in 2011, which became the movement for people’s self-governance known as Occupy, this book carries the energy and commitment of open struggle, direct address, self-organisation and public assembly. It is a critique of representation and its implicit oblivion, told through a decade of artistic and activist practice. The writing is a mode of recovery, it is pre-content shared to encourage open processes in art, thinking and action.

  • 978-1-9164250-7-1
  • 21.6 x 13.9 cm
  • 160 pp.
  • Paperback
  • 06 May 2021

About the author

Georgia Sagri (born Athens, 1979) lives and works in Athens and New York. Her practice is influenced by her ongoing engagement in political movements and struggles on issues of autonomy, empowerment and self-organisation. From 1997 to 2001 she was a member of Void Network, a cultural, political and philosophical collective operating in Athens. In 2011 she was one of the main organisers of the Occupy Wall Street movement in New York. Since 2013 she has been a member of the assembly of the Embros Theatre Occupation, and in 2014 she initiated Ύλη[matter]HYLE, a semi-public cultural space in the heart of Athens. She is professor of performance at the Athens School of Fine Arts.

Photo: Ioanna Chatziandreou

Endorsements (4)

Insightful, passionate, flowing and jarring. Stage of Recovery is a creative journey that invites the reader to reflect on and reimagine society.

Marina Sitrin

This book proposes a singular bio-aesthetic, an original way of living with each other, against the ever more delirious diktats of planetary techno-capitalism. Sagri’s is an extraordinary example of a practice where, as with the Situationists, art becomes indiscernible from politics.

Mehdi Belhaj Kacem

Stage of Recovery observes a decade of revolutionary animism. There is no score of absolute ethics, the subject is made in anarchy. Her presence pulses in sustained relation.

Mayra A. Rodríguez Castro

Sagri captures affects of anti-capitalist resistance invisible within much political writing. When she writes she uses the whole wall (and climbs over it), reminds us of our powerful, vulnerable bodies, and does not shy away from paradox. Her highly personal practice (‘Don’t call it politics’) at Ύλη[matter]HYLE once offered important clarity in my own life – may her book reach all those who cannot stand on the balcony.

Erica Lagalisse

Press (7)

Breathing and Breaking. Georgia Sagri’s IASIMarina VishmidtAfterall10/2022
Georgia Sagri: Anarchia spiritualGiulia CrispianiFlash Art28/02/2022
Ignota Books of the Year 2021: Part IIMark von SchlegellIgnota02/12/2021
Book ReviewsCalla HenkelMousse, 7705/10/2021
Georgia Sagri: Stage of RecoveryKiera BlakeyArt Monthly, Issue 448, Jul-Aug 2021
Something Like #33 – A Sixth Sense, An Electric TouchBitsy KnoxCashmere Radio10/06/2021
Feeling through the OtherNERO Editions14/05/2021

Another Sun

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Another SunFrançoise VergèsMayra A. Rodríguez Castro

£ 11.99

Another Sun

Françoise Vergès Mayra A. Rodríguez Castro

In 2005, Françoise Vergès published a book with Aimé Césaire, in which she recorded – three years before his death – powerful remarks by the poet, as incisive and combative as ever, yet imbued, as always, with the universal humanism to which he had remained committed throughout his life. It is fortunate that, drawing inspiration from this interview, Another Sun allows us to hear, in their intertwining, the voices of Césaire and Vergès herself, conveying a message of emancipation and fraternity/sorority that our world needs to hear today.

Souleymane Bachir Diagne


Waiting at Martinique Aimé Césaire International Airport, in the city of Le Lamentin, Mayra A. Rodríguez Castro browses the airport kiosk. Alongside books by Césaire, it offers titles by Frantz Fanon, Maryse Condé and Patrick Chamoiseau. She picks up a copy of Nègre je suis, nègre je resterai, a conversation between Françoise Vergès and Césaire published in 2005, and embarks. In Another Sun, Rodríguez Castro and Vergès revisit that seminal conversation, resulting in an eclectic text shaped by ongoing struggles.

With poems by Danielle Legros Georges, Wole Soyinka, Ishion Hutchinson, Clarisse Baleja Saïdi, Aimé Césaire and Jean Érian Samson.

  • 978-1-0684395-2-0
  • 21.6 x 13.9 cm
  • 100 pp.
  • Paperback
  • 04 June 2026

About the authors (2)

Françoise Vergès is a writer, decolonial anti-racist feminist and curator. She is currently working on the fabrication of premature death, imperialism and anti-imperialism, the colonial roots of fascism, private property and racism. In parallel, she is working on a film about communist anti-colonial struggles on Réunion and in the Southwest Indian Ocean based on her parents’ personal archives and her own. Her recent publications include: Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism (2024); A Programme of Absolute Disorder: Decolonizing the Museum (2024); A Decolonial Feminism (2021); The Wombs of Women: Race, Capital, Feminism (2020); and Resolutely Black: Conversations with Françoise Vergès, with Aimé Césaire (2019). She has written documentary fifilms on Maryse Condé and Aimé Césaire (both 2013) and was a project advisor for Documenta11 (2002) and La Triennale de Paris (2012). Vergès is currently senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, University College London.

Photo: Bachir Tayachi

Mayra A. Rodríguez Castro is a writer and editor. She was a postdoctoral fellow at Freie Universität Berlin in 2018, recipient of a fellowship with Anne Waldman at Naropa University in 2019, and a textual residency fellow at Akademie Schloss Solitude in 2025. Her essay ‘El nuevo sublime’ was a finalist for the National Essay and Criticism Award in Colombia in 2019. Rodríguez Castro is the editor of Dream of Europe: Selected Seminars and Interviews, 1984–1992 (2020), a collection of previously unpublished lectures by Audre Lorde, which was shortlisted for the Pegasus Award for Poetry Criticism in 2021. She is also the author of The Echo (2025) and Blood (2026).

Photo: Diego Mayorga