What is the relation between family misfortune and desire? Why must we bury the dead? What is to come for those unburied? How to distinguish the endless stream of graphic violence from violence that goes straight to the bone? How does language make up not only the law, but also unwritten laws?
In Let Them Rot Alenka Zupančič takes up the ancient figure of Antigone and finds a blueprint for the politics of desire. Not desire as consumption, enjoying what is offered, but desire’s oblivion to what came before. Such politics says: “No, this world must end and I will be the embodiment of that end.” This is not self-satisfied destruction for destruction’s sake; it is existence with consequences beyond the predictable. Zupančič asks: “Why desire?” And this question of desire, which may be the only question, takes the form of a no that is also an “I.”
Afterword by the author.
Alenka Zupančič is a Slovenian philosopher and social theorist. She is a professor of philosophy and psychoanalysis at the European Graduate School and a researcher at the Institute of Philosophy at the Slovene Academy of Sciences and Arts. She is the author of many books, including What Is Sex? (MIT Press, 2017), The Odd One In: On Comedy (MIT Press, 2008), and Ethics of the Real: Kant and Lacan (Verso, 2000).
Zupančič’s ideas are fresh, as if they hailed from some open air beyond the clutter of current theoretical quarrels. This brilliant account of Sophocles’s Antigone breaks new ground for philosophy, psychoanalysis, and political and feminist theory.
Writing my book on Antigone, I thought: ‘There we go, the subject is closed—let’s go to sleep.’ And then along came Zupančič with her take and compelled me to rethink everything I did. In other words—and this is difficult for me to say—she is better than me here.
trans. Grace Nissan
Bourgeois coldness refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it’s burning.
Canonical critical theory by Adorno and Horkheimer enters a dialogue with Black studies through Hartman and Moten.
Henrike Kohpeiß is a philosopher in Berlin, working on social and political philosophy, critical theory, affect studies, Black studies and feminist philosophy. She regularly publishes work in academic journals and criticism in magazines. She organises and hosts events in Berlin, such as the conversation series ‘Feelings at the end of the world’ at Volksbühne. Bourgeois Coldness is her first book, and was published in German in 2023 by Campus Verlag.
Grace Nissan is the author of The Utopians (Ugly Duckling Presse) and The City Is Lush With / Obstructed Views (DoubleCross Press), as well as the translator of War Diary by Yevgenia Belorusets (New Directions) and kochanie, today i bought bread by Uljana Wolf (World Poetry Books). Their translations of Yevgenia Belorusets were presented in the 59th Venice Biennale, as well as in the accompanying publication In the Face Of War (Isolarii). They are the recipient of a National Endowment of the Arts Translation Fellowship to translate the Austrian poet Ann Cotten’s Banned! An Epic Poem into English.
Foregrounding affect, this timely book provides an inestimable philosophical argument for the centrality of Blackness in critical examinations of capitalism’s violence.
Elegant and erudite in equal measure, this book will stand as a landmark diagnosis of the practices of denial in our time.
| 10 November | Amsterdam | Henrike Kohpeiß launch |
| 06 November | London | Book launch Bourgeois Coldness, Historical Materialism |
| 04 November | London | Bourgeois Coldness launch, Housmans Bookshop |
| 02 October | Stockholm | Henrike Kohpeiß launches Bourgeois Coldness, Nord Books |
