This being is able to transform movement into speech. It winds itself about inside me like a thick snake and I have to use all my strength to let it spin and do what it does. When I wilfully try to stop it, it begins to whisper words to me and that is even more unpleasant. If I were to associate this gut feeling with an emotion, I would say disgust. But this disgust is not directly linked to your name.
If winning can only occur in a competition between equal opponents, someone who isn’t equal will need to adopt a different strategy and let go of the promise, or the curse, of victory. Anna Zett takes up the challenge in this collection of personal science fiction, registering the traces systems of power leave in the body, in its locomotory, nervous and digestive systems. Zett’s voice appears in several textual guises, addressing authority, resistance, trauma and the physicality of language. Dedicated to the feminist revolution, the post-socialist subject of Artificial Gut Feeling questions logocentric and capitalist beliefs about the economy of meaning. This book gathers together fists, guts and brains to gain a deeper understanding of the non-verbal roots of dialogue.
978-1-9164250-3-3
21.6 x 13.9 cm
96 pp.
Paperback
October 2019
About the author
Anna Zett (b. 1983, Leipzig) is an artist, writer and filmmaker. Her work combines historical analysis and poetic form with playful embodied practice. In 2014 she released two videos dealing with extinct animals as emblems of colonial capitalism in the West, which were screened widely in the context of contemporary art. In recent years, her research into the cosmology of scientific modernism has focused on post-communist trouble, industrialism and the German heritage of violence. Formally, her artistic emphasis moves towards listening, voice and the human body’s capacity to improvise verbal and non-verbal group communication. Zett has written and directed two experimental radio plays for German public radio and (co-)hosted participatory formats of storytelling, discourse and choreography. Artificial Gut Feeling is her first book. She lives in Berlin.
Photo: Silke Briel
Endorsements (2)
In this science fiction, science provides metaphors for postmodern feminist theory. Zett has clearly researched the science at the foundation of these metaphors, especially electricity and neurotransmitters, and the result is engaging, unique, and insightful.
Eric Aldrich, Full Stop
These are not the writings of a solitary author holed up in their study but of someone who uses text as an elastic tool to negotiate, rehearse (ideas, bodies), and perform with others.
Dominique: The Case of an AdolescentFrançoise Doltotrans. Ivan Kats, revised by Lionel and Sharmini Bailly
£ 13.99
Dominique: The Case of an Adolescent
Françoise Dolto
trans. Ivan Kats, revised by Lionel and Sharmini Bailly
Dolto’s Dominique is the only case I’ve found that rivals Freud, and brings us up to date, replete with questions of incestuous trauma, repressed sexualities, autism and cognitive disability, and a profound sense for the contradictions of polite society and histories of colonial and racist violence. I love this child and encountering Dolto’s otherworldly voice as an analyst.
Jamieson Webster
While the child psychoanalyst Françoise Dolto stands alongside Jacques Lacan as a leading light of the Other French School, she has been little translated and remains curiously unknown in the English-speaking world. First published in 1971, Dominique: The Case of an Adolescent is frank and close to the clinical experience. A masterpiece of the genre, it is at once a granular psychological portrait of a troubled adolescent and his familial inheritance, and a historical case study of French society in the 1960s.
Foreword by Michael Ryzner-Basiewicz.
978-1-7395161-9-2
13 b&w illustrations
21.6 x 13.9 cm
264 pp.
Paperback
July 2025
About the author
Françoise Dolto (born 6 November 1908, Paris) was a psychoanalyst and paediatrician. Alongside private practice at her home, where she saw adults and children, Dolto practised in four institutions where she saw only children patients: the Polyclinique Ney, the Centre Claude Bernard, the Hôpital Trousseau and the Centre Etienne Marcel. From 1967 to 1969, Dolto answered adult and child listeners of the French radio station Europe No. 1, live and anonymously under the name ‘Docteur X’. The programme enjoyed excellent ratings, but Dolto found dialogue to be hindered by the demands of live broadcasting and advertising. In 1976, she agreed to return to radio with Lorsque l’enfant paraît on France Inter, on the condition that she replied to listeners’ letters, which enabled her to go into depth. The programme was a huge success, and would make her a household name. In 1978 Dolto retired as an adult psychoanalyst: her fame had become such that it distorted the therapeutic relationship with patients. She now devoted herself to prevention, training of young analysts, group and individual supervision, publications, conferences and radio and television broadcasts. She also continued her work with children in the care of the Aide Sociale à l’Enfance, some of whom she received at her home until the end of her life. In 1979, along with a small team, she founded the Maison Verte, a place for early-years socialisation welcoming children from ages zero to four along with their caregivers, for sessions of play and talk. This model spread throughout France and Europe, to Russia, Armenia and Latin America. Dolto is the author of more than a dozen books, and several essays, interviews and seminars. In English, her books have been translated as Psychoanalysis and Pediatrics (Routeledge, 2013) and The Unconscious Body Image (Routledge, 2022). Françoise Dolto died on 25 August 1988 in Paris.
Photo: Alécio de Andrade
About the translators (3)
Ivan Kats (1926–2008), naturalised American, worked as a translator, editor, teacher, publisher and journalist in France and the United States. He graduated with an MA from Yale University, New Haven, in 1969. In 1970 he founded the Obor Foundation, dedicated to the publication and dissemination of books to book-poor countries, which he directed until his retirement in 1996.
Lionel Bailly is a practising psychoanalyst of the Association Lacanienne Internationale, an academic associate of the British Psychoanalytical Society, and a child and adolescent psychiatrist. Trained in medicine and psychiatry at Salpêtrière Hospital in Paris, he is honorary professor at University College London Psychoanalysis Unit where he is particularly involved in the doctoral school. He led the Sainte-Anne Hospital Centre’s biopsychopathology unit before moving to London in 2000. Bailly is the author of two books, one on psychotrauma in children (in French) and Lacan: A Beginner’s Guide (Oneworld, 2009).
Sharmini Bailly is a psychoanalyst (member, British Psychoanalytical Society) and a senior member of the British Psychotherapy Foundation. She translated Françoise Dolto’s The Unconscious Body Image (Routledge 2022) and has edited two books on Lacanian theory. She works in the NHS and in private practice, and teaches and supervises psychodynamic/psychoanalytic practitioners.
