Ariana Reines is a poet, playwright, and performing artist from Salem, Massachusetts and based in New York. Her books include A Sand Book—winner of the 2020 Kingsley Tuftfts Award and longlisted for the National Book Award—Mercury, Coeur de Lion, and The Cow, which won the Alberta Prize from Fence in 2006. Her Obie-winning play Telephone was commissioned by the Foundry Theatre with a sold-out run at the Cherry Lane Theatre in 2009. Reines has created performances for the Solomon R. Guggenheim Museum, the Swiss Institute, Stuart Shave/Modern Art, Le Mouvement Biel/Bienne, the Whitney Museum of American Art, and Performance Space New York. She has taught poetry at UC Berkeley (Holloway Poet), Columbia, NYU, and Scripps College (Mary Routt Chair), been a visiting critic at Yale School of Art, and for community organizations including the Poetry Project and Poets House. Her poetry and prose have been published in The New Yorker, Poetry, Artforum, Frieze, Harper’s, and many others. In 2020, while a Divinity student at Harvard, Reines created Invisible College, an online space devoted to the study of poetry, sacred texts, and the arts.
Divided Publishing
Wave of Blood
£ 11.99
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Wave of Blood
Ariana Reines
£ 11.99
Wave of Blood
Ariana Reines
Is it the computerization of the planet
Or a loosening of my fidelity to suffering
I don’t understand the intensity
I’ve hidden here but I know I despaired
Of finding a physical place to keep
My tears. Now what. Seas that go turquoise
When you stop looking at them . . .
Wrestling with the mind of war, at times shocking in its self-analysis, Wave of Blood is a furious and sincere essay, an eclipse notebook, a family chronicle, all told in the poetry of witness.
- 978-1-7395161-4-7
- 21.6 x 13.9 cm
- 200 p.
- Paperback
- October 2024
About the author
Endorsements (4)
Ariana Reines is a go-for-broke artist who honors her traditions by being like no one else. Some of us have made a fetish of our stupidity, pretending to forget history, and some of us have made a fetish of despair, congratulating ourselves on melancholia, but Ariana is too brilliant and too alive for either of those sad luxuries . . . I am convinced of the authenticity of the summonses she receives and the summonses she issues and when I read her I am reminded that all of this is a calling before it’s an identity or career. Her voice—which is always more than hers alone—is a dialectic between the very ancient and the bleeding edge.
Her writing is queer and raunchy, raw and occult, seemingly never pulling away from her deepest vulnerabilities. Yet Reines simultaneously maintains a feeling of epic poetry, of ancient intention. She moves between worlds in search of the divine and the self.
These are the kinds of poems that reorient you in the world, make you understand how little you know, but how much is inside you.
Mind-blowing.
How to Leave the World
£ 11.99
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How to Leave the World
(trans. Lara Vergnaud)
Marouane Bakhti
£ 11.99
How to Leave the World
trans. Lara Vergnaud
Marouane Bakhti
A rare book that depicts the isolation and poetry of rural life.
Everyone is asking about his identity. Gay? Muslim? French? Moroccan? Instead of choosing a side, he writes a book. A book about the forest and the city, Paris and Tangiers, shame and forgiveness, dating apps and spiritual discovery. A book about growing up as a diaspora kid in rural France, with desires that want to emerge at any cost. Told in mesmerising prose, How to Leave the World is a beautiful non-answer.
- 978-1-7395161-3-0
- 21.6 x 13.9 cm
- 112 p.
- Paperback
- September 2024
About the author
Marouane Bakhti is a writer and arts journalist. Born in Nantes, France to a Moroccan father and a French mother, he studied history and journalism at the Sorbonne. He writes criticism for Mouvement magazine and lives in Paris. How to Leave the World is his first novel.
About the translator
Lara Vergnaud is a literary translator of French and has translated over a dozen novels, including works by Zahia Rahmani, Fatima Daas, Mohamed Leftah and Mohamed Mbougar Sarr. Lara was born in Tunisia, grew up in the United States and currently lives in southern France.
Endorsements (3)
Visceral scenes and fragments of shame, desire and displacement crystallise as sentences that are felt before they are understood. Bakhti writes diaspora as distension, a condition of freezing and unfreezing through successive intimacies and encounters: ‘Voice, silence, voice, silence.’ What it takes to imagine social and physical freedom is what it meant to keep reading this incredible book.
I was struck by its kaleidoscopic scope, despite its brevity – from the earthy and vital imagery of Bakhti’s childhood, through the transformational effects of grief and faith. A beautiful book!
This is an astonishingly good debut book. I was immediately drawn in and adored the beautifully crafted prose. With sensitivity and nuance, Marouane Bakhti explores the complexities of family and cultural identity as a member of the Moroccan diaspora – and one who happens to be coming to terms with his sexuality. There is so much heart in this story, you can’t help but feel like it was a privilege to have been taken on this journey. Marouane Bakhti is without doubt a promising new writer and I am excited to see what he does next.
Press (2)
A Toast to St Martirià
£ 11.99
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A Toast to St Martirià
(trans. Matthew Tree)
Albert Serra
£ 11.99
A Toast to St Martirià
trans. Matthew Tree
Albert Serra
A Toast to St Martirià is an improvised speech given by the cult Catalan filmmaker Albert Serra at the St Martirià fiesta in Banyoles, the town of his birth. Transmitting his subversive attitude and impulsive lust for life, it is a journey through his formative years and early relationships – established in the nightlife of his hometown – that have shaped his particular conception of cinema, art and life. ‘Cinema should be this, making perception of time and space more intense.’
Afterword by Alexander García Düttmann
- 978-1-7395161-1-6
- 21.6 x 13.9 cm
- 96 p.
- Paperback
- April 2024
About the author
The Catalan artist and filmmaker Albert Serra was born in 1975. His films usually depict European myths and literature. In 2001, he co-founded the production company Andergraun Films. His Honor of the Knights was selected by Cahiers du Cinéma as one of the ten best films of 2007. For Story of My Death, Serra was awarded the Golden Leopard at the Locarno Film Festival in 2013. For The Death of Louis XIV, Serra received the Prix Jean Vigo in 2016. Pacifiction was nominated for the Palme d’Or at the Cannes Film Festival in 2022.
Photo: Katharina Huber
About the translator
Matthew Tree was born in London in 1958. He taught himself Catalan in 1979 and moved to Catalonia in 1984. Since then he has published nine works of fiction and non-fiction written in Catalan, and five written in English. He writes regular columns for Catalonia Today magazine in English and El Punt Avui newspaper in Catalan. He has translated works by Jordi Puntí, Maria Barbal, Monika Zgustová, Joel Joan, Marta Marín-Dòmine and Albert Serra, among others. Two of his English novels, Just Looking and Almost Everything, will appear in Catalan translation at the start of 2025.
Press (4)
Let Them Rot
£ 11.99
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Let Them Rot
Alenka Zupančič
£ 11.99
Let Them Rot
Alenka Zupančič
What is the relation between family misfortune and desire? Why must we bury the dead? What is to come for those unburied? How to distinguish the endless stream of graphic violence from violence that goes straight to the bone? How does language make up not only the law, but also unwritten laws?
In Let Them Rot Alenka Zupančič takes up the ancient figure of Antigone and finds a blueprint for the politics of desire. Not desire as consumption, enjoying what is offered, but desire’s oblivion to what came before. Such politics says: “No, this world must end and I will be the embodiment of that end.” This is not self-satisfied destruction for destruction’s sake; it is existence with consequences beyond the predictable. Zupančič asks: “Why desire?” And this question of desire, which may be the only question, takes the form of a no that is also an “I.”
- 978-1-7395161-0-9
- 21.6 x 13.9 cm
- 112 p.
- Paperback
- December 2023
About the author
Alenka Zupančič is a Slovenian philosopher and social theorist. She is a professor of philosophy and psychoanalysis at the European Graduate School and a researcher at the Institute of Philosophy at the Slovene Academy of Sciences and Arts. She is the author of many books, including What Is Sex? (MIT Press, 2017), The Odd One In: On Comedy (MIT Press, 2008), and Ethics of the Real: Kant and Lacan (Verso, 2000).
Endorsements (2)
Zupančič’s ideas are fresh, as if they hailed from some open air beyond the clutter of current theoretical quarrels. This brilliant account of Sophocles’s Antigone breaks new ground for philosophy, psychoanalysis, and political and feminist theory.
Writing my book on Antigone, I thought: ‘There we go, the subject is closed—let’s go to sleep.’ And then along came Zupančič with her take and compelled me to rethink everything I did. In other words—and this is difficult for me to say—she is better than me here.